• Acessibilidade
      Fonte
    • A+
    • Aa


  • Agenda
  • Busca
  • en
    • pt
  • Bienal
  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Historical Archive
  • Partners
  • Transparency
  • Bienal Café
  • Contact us
  • Press
  • Visual Identity
Home News The Orion Shadow

12 May 2014

The Orion Shadow


Canadian artist Mark Lewis investigated the streets of São Paulo and gave us his testimony.


"For me one of the most extraordinary things about São Paulo is the sheer number of modern buildings from the 1920's and 30's through to the 1970's. Of course there are the signature buildings by the great architects such as Niemeyer and Lina Bo Bardi. But I have been stunned by the existence of hundreds of other graceful and beautiful buildings, presumably by architects lesser known or long forgotten. I live and work in a city, London, that has an immense and collective hostility to the modern and today there are very few of these kinds of buildings left there. One of my favourite São Paulo buildings is the old Orion rubber factory on Rua Behring, abandoned by the company in the 1980's and now lies empty and rather dilapidated. But  somehow the building still stands proud even though, or perhaps because across the street from it rises the grotesquely oversized 'Temple of Solomon' built by the Universal Church of the Kingdom of God. The two Orion signs, hollowed out of concrete, sit majestically on top of the building on each of its street sides. On clear Sao Paulo mornings the sun sits behind one of the signs and throws the latter's shadow onto the blue construction fence surrounding the building site of the Temple of Solomon. When the Orion building was designed and built, like many modern buildings of its time, it had the future in mind. I think the Orion Shadow remind us that great buildings like great art, continue to have the future in mind even when defeat seems most likely".



Leia também


Acessar +bienal
Installation view of catástrofe orquestra #1 (Ato I) by Antonio Társis at the 36th Bienal de São Paulo© Natt Fejfar / Fundação Bienal de São Paulo
Entrevistas17 Sep 2026

Catastrophe orchestra: an interview with Antonio Társis

A loud crash occurs when a coal pendulum plummets onto a drum. Amid other strands of coal and drums, an orchestra of materialities takes shape in the form of sounds and panels made from recycled matchboxes. From the collision between materials and historical events emerges catástrofe orquestra #1 (Ato I) [Catastrophe Orchestra #1 (Act I)], a work by Antonio Társis created especially for the 36th Bienal de São Paulo. The work is now part of the Bienal’s traveling exhibition in Chile. Read the artist’s statement.

Saber mais
Foto de pessoas andando por um espaço expositivo com fotos e pinturas.
Installation view of the traveling exhibition of the 36th Bienal de São Paulo at the Museu de Arte Contemporânea de Goiás, in Goiânia © Paulo Rezende / Fundação Bienal de São Paulo
News14 Aug 2026

The traveling exhibitions program of the 36th Bienal expands across Brazil and reaches international destinations

With five traveling exhibitions of the 36th Bienal de São Paulo – Not All Travellers Walk Roads – Of Humanity as Practice currently on view across Brazil, the Fundação Bienal de São Paulo announces the next stages of the program, which will continue to six additional Brazilian cities and three international destinations over the coming months, reaching fifteen locations throughout 2026.

Saber mais
Uma grande escultura que lembra um tronco de árvore com raízes, feita de longas tiras de tecido suspensas em tons de marrom, laranja e amarelo. Em sua base, várias pedras naturais estão dispostas sobre pequenas placas escuras no piso de concreto de uma galeria.
Installation view of Terra viva by Marlene Almeida during the 36th Bienal de São Paulo© Natt Fejfar / Fundação Bienal de São Paulo
Interviews24 Jul 2026

Living Earth: Interview with Marlene Almeida

Earth samples collected from different regions of Brazil are processed into pigments or left in their raw state in a kind of laboratory. A sculpture composed of long strips of fabric dyed with natural pigments evokes a rock or a network of trails waiting to be explored. Technique and poetics come together in Terra viva [Living Earth] by Marlene Almeida, an installation created especially for the 36th Bienal de São Paulo. The work is now part of the Bienal’s traveling exhibition in Fortaleza. Read the artist’s statement.

Saber mais

Newsletter

Receba a Newsletter da Bienal

Bienal

  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Partners
  • Bienal Café
  • Transparency

  • Contact us
  • Visual Identity

Fundação Bienal de São Paulo

Av. Pedro Álvares Cabral, s/n - Moema CEP 04094-050 / São Paulo - SP

Contato

+55 11 5576.7600 contato@bienal.org.br

Privacidade
•
Termos de uso
Copyright © 2026 Bienal de São Paulo
Ao clicar em "Concordar", você concorda com uso de cookies para melhorar e personalizar sua experiência, bem como nossa Política de Privacidade. Ver a Política de Privacidade*.
Concordar