Naine Terena, artist educator and curator, talks about the realization and conception of the exhibition Ka’a Pûera: we are walking birds, Brazil’s official participation in the 60th International Art Exhibition – La Biennale di Venezia, and about the permanence of indigenous artists in this space.

Brazil renews its presence at the Venice Biennale with the exhibition Ka’a Pûera: we are walking birds. The exhibition features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization

This year, a new evaluation system has been adopted for the selection of the curatorial and artistic program for the Brazilian Pavilion, with a committee formed by representatives of the three organizing bodies evaluating projects by guest curators, making the process more open and participatory. As part of the selected proposal, the Brazil Pavilion will be renamed during the exhibition