8 Aug 2020

Correspondencias en español

A lo largo del proceso de construcción de la 34ª Bienal de Sao Paulo, su equipo curatorial, artistas participantes y autores reflexionan directa e indirectamente sobre el desarrollo de la exposición por medio de correspondencia curatorial. La cientista política e investigadora de arte conceptual, Ana Laura Borro, tradujo las cartas al español. Nacida en Argentina, Borro reside en Brasil desde 2015.

Vea la correspondencia curatorial en español aquí:

Leia também

Acessar +bienal

Installation view of *catástrofe orquestra #1 (Ato I)* by Antonio Társis at the 36th Bienal de São Paulo© Natt Fejfar / Fundação Bienal de São Paulo

Entrevistas17 Sep 2026

Catastrophe orchestra: an interview with Antonio Társis

A loud crash occurs when a coal pendulum plummets onto a drum. Amid other strands of coal and drums, an orchestra of materialities takes shape in the form of sounds and panels made from recycled matchboxes. From the collision between materials and historical events emerges catástrofe orquestra #1 (Ato I) [Catastrophe Orchestra #1 (Act I)], a work by Antonio Társis created especially for the 36th Bienal de São Paulo. The work is now part of the Bienal’s traveling exhibition in Chile. Read the artist’s statement.

Saber mais

Foto de pessoas andando por um espaço expositivo com fotos e pinturas. — Installation view of the traveling exhibition of the 36th Bienal de São Paulo at the Museu de Arte Contemporânea de Goiás, in Goiânia © Paulo Rezende / Fundação Bienal de São Paulo

News14 Aug 2026

The traveling exhibitions program of the 36th Bienal expands across Brazil and reaches international destinations

With five traveling exhibitions of the 36th Bienal de São Paulo – Not All Travellers Walk Roads – Of Humanity as Practice currently on view across Brazil, the Fundação Bienal de São Paulo announces the next stages of the program, which will continue to six additional Brazilian cities and three international destinations over the coming months, reaching fifteen locations throughout 2026.

Saber mais

Uma grande escultura que lembra um tronco de árvore com raízes, feita de longas tiras de tecido suspensas em tons de marrom, laranja e amarelo. Em sua base, várias pedras naturais estão dispostas sobre pequenas placas escuras no piso de concreto de uma galeria. — Installation view of *Terra viva* by Marlene Almeida during the 36th Bienal de São Paulo© Natt Fejfar / Fundação Bienal de São Paulo

Interviews24 Jul 2026

Living Earth: Interview with Marlene Almeida

Earth samples collected from different regions of Brazil are processed into pigments or left in their raw state in a kind of laboratory. A sculpture composed of long strips of fabric dyed with natural pigments evokes a rock or a network of trails waiting to be explored. Technique and poetics come together in Terra viva [Living Earth] by Marlene Almeida, an installation created especially for the 36th Bienal de São Paulo. The work is now part of the Bienal’s traveling exhibition in Fortaleza. Read the artist’s statement.

Saber mais

Newsletter